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COULD I SOLVE A MURDER?

Testing My Gifts on Three Real Murder Cases

I like knowing if what I see, feel and hear are real... Not only for you, but For me.

Because here's the thing about energy or psychic readings - it's easy to explain away. The client nods and I think hit but maybe I read their body language. I say something vague and they find meaning in it. I get something wrong and chalk it up to the energy being unclear that day.

Some of that's just part of the "job" but to practice, I like a test with ZERO wiggle room.


I've been doing this by using AI. I ask AI to give me solved murder cases where I check my impressions immediately against verified facts. I ask AI to only give me the name of the case or name of the person. I then ask Spirit to give me the energy of that person or experience then I type in what I see, feel and hear. I can't dictate what Spirit will give me but I set the intention that it is clear and accurate; maybe cause of death, method, killer, location.

Doing this gives me no way to rationalize a miss into a hit. It's fact or false!

Here's a few...


The Murder of Andre Daigle — New Orleans, 1987

What I was given: a 27-year-old man named Andre Daigle went out with friends one night in New Orleans. He drove home. He never arrived.

That's it. No other details.

What came through: I felt the back right side of my head. I saw water. I heard the word girlfriend - twice. I felt being dragged.

Here's what actually happened:

Andre was lured by a woman named Thelma who was the girlfriend of one of his killers. She brought him to their apartment where the men beat him repeatedly on the head with a hammer. His body was wrapped in curtains, stuffed inside a sofa and dumped in a swampy area near water off a highway.

The head trauma - hit. The water - hit. Being dragged - could be a hit but he was moved.

But the girlfriend one stopped me. Thelma isn't described in the basic case summary as anyone's girlfriend. You have to dig into the court documents to find that she and one of the killers shared a bedroom - she was the killer's girlfriend. She was the bait.


The Murder of Penny Serra — New Haven, Connecticut, 1973

What I was given: a 21-year-old woman named Penny Serra was found murdered in a parking garage.

What came through: I felt stabbed in the chest. I saw an elevator. I felt it was a stranger who did it. I felt she was wearing a skirt.

Here's what actually happened:

Penny Serra was chased down by an unknown assailant — a complete stranger — and killed with a single stab wound to the chest. Her body was found in the stairwell of the ninth level of a multi-story parking garage. She was wearing a blue knit mini dress.

Stabbed in the chest - direct hit. Stranger - confirmed. The skirt - she was wearing a mini dress, which reads as a skirt. Hit'ish.

The elevator - she was in a multi-level structure with stairwells, not an elevator specifically. Close but not exact. Partial.

Three direct hits. One partial.


The Murder of Helle Crafts — Newtown, Connecticut, 1986

What I was given: a woman named Helle Crafts went missing. Her husband reported her missing.

What came through: school, husband did it, travel, rendezvous, a body blow or hit.

Here's what actually happened:

A school building
A school parking lot was where the murder was found with a wood chipper and a frozen, dead wife.

Richard Crafts - her husband - clubbed Helle to death with a blunt instrument, froze her body, dismembered her with a chainsaw and fed her remains through a wood chipper near a river. He was caught when a witness spotted him in a school parking lot at 4am with a U-Haul and the wood chipper. Both Helle and Richard were in aviation - travel was woven through every layer of this case. Richard had been secretly meeting a girlfriend - a rendezvous - which is what triggered Helle to file for divorce in the first place.

Husband did it - hit. Body blow - hit'ish, blunt instrument to the head but I felt it in my body. Travel - hit, it was the dominant energy of their entire lives and her last act was returning from a flight. Rendezvous - hit, exactly what Richard's secret meetings were. School - the school parking lot where he was caught disposing of evidence, and his police training seminars. Partial to full hit depending on how you look at it.

Four hits. One partial.


What I'm Learning

A few things are becoming clear the more I practice this way.

The impressions that come through are often more human than dramatic. I'm not getting cinematic crime scene images. I'm getting girlfriend. I'm getting travel. I'm getting the feel of a blow, the sight of water, the word rendezvous. Small and specific rather than sweeping and obvious. I'm also continuing to learn NOT TO PUT a story around any of what I get. I can't remember if I saw an elevator or an opening that I thought would be an elevator. I should have just said opening in the wall or something like that. Same with school, I felt drawn to make a story around why the school was important, if I'd allowed myself to do that I would have been wrong. The word girlfriend, I assumed it was Andre's girlfriend not the killer's girlfriend.

It's super important that I only say what I see, feel and hear. I've said this in a different blog post, for me, Spirit is super literal.

My channel is clean. So it's me trying to master keeping clear so my brain doesn't gets involved. Accuracy is really important to me, of course for the clients I read for but also just for me to trust in the information I receive. My practice is to speak it properly, without Mel wrapping it up into a nice story.


If you'd like a reading, check out what I offer at Readings











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